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He is adapting Deborah Lipstadt’s book “History on Trial: My Day in Court With a Holocaust Denier” as a movie titled “Denial,” starring Rachel Weisz and Tom Wilkinson.

His adaptations of Chekhov’s “The Seagull,” “Ivanov” and “Platonov” are now running at England Chichester Festival Theatre and his drama “The Moderate Soprano,” about the founding of the countryside opera company at Glyndebourne, just debuted in London.

But Hare’s plays have never been solely about that, despite starting a ramshackle troupe called Portable Theatre with friends straight out of college and taking their cheap, rough, politically impassioned shows to the English streets.

“David Hare has never lifted a pen for dishonorable purposes, as far as I’m aware,” e-mails Nighy, who has worked with Hare for more than 30 years and recently starred with Carey Mulligan in his “Skylight” in London and on Broadway.

Pungent details include being thoroughly intimidated by actress Helen Mirren while directing his play “Teeth ’n’ Smiles”: She icily received him in her dressing room wholly nude.

The playwright leans left loudly, a lifelong champion of the working class and of underdogs, reliably furious at institutional greed and abuse of power.

Not that it bothered him: By now, the 68-year-old playwright is accustomed to not having his plays staged in America’s capital, even when political behavior and American policy are its topics. Bush, Donald Rumsfeld and Colin Powell as characters. Washington’s big theaters have almost never been interested, except in Hare’s adaptations of material such as Brecht’s “Mother Courage” recently at Arena, though Hare says that years ago there were talks with the Kennedy Center about “Stuff Happens.” “The people running the Kennedy Center said, ‘We try to keep out of politics,’ ” Hare recalls.“Until four weeks ago, I’d never heard of this person called Ben Carson.To me, you’ve got a sort of fabulous zoo of strange people. Bush turns out to have a stupider brother called Jeb. He has been a central figure at London’s National Theatre practically since its permanent complex opened in the mid-1970s.His movie adaptations include screenplays for “The Hours” and “The Reader.” Now Hare is in the States on a brief book tour, promoting “The Blue Touch Paper,” his memoir of becoming a playwright in the tumultuous, still-unformed London scene of the 1960s and ’70s.

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