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After the career criminal-turned cult guru learned to play guitar in prison, he became friends with Dennis Wilson of The Beach Boys and, more notably, with Byrds producer Terry Melcher, the son of actress Doris Day.
While The Beach Boys covered one of Manson’s songs, Melcher rejected Manson for a record deal.
That rejection is considered to be one of the events that prompted Manson to target a certain house in Benedict Canyon, near Beverly Hills, for the start of his murderous spree on that August weekend in 1969.
The house at 10050 Cielo Drive had been Melcher’s house up until February 1969, after which Tate and Polanski moved in.
On Monday, an attorney for Polanski issued a statement saying that the murder of the director’s wife and unborn son “still remains too painful for him to make a statement.” An excellent source for how Manson’s crimes fit into the larger context of American popular culture of the late 1960s comes in the meticulously produced 12-part podcast series “Charles Manson’s Hollywood.” With her focus on Manson, Longworth makes the very convincing argument that his story isn’t just a true-crime saga, or a larger American saga, it’s specifically a Hollywood saga.
At the time, Polanski and Tate were considered one of Hollywood’s golden couples.Pour commencer à remplir la grille, déplacez le curseur sur la case que vous souhaitez compléter et entrez un chiffre à l’aide du clavier.Vous pouvez vous déplacer dans la grille à l’aide de la souris ou des touches directionnelles du clavier.The other victims at the house were Tate’s ex-boyfriend Sebring, two houseguests, and an 18-year-old visiting the property’s caretaker.Polanski was not in Los Angeles at the time but in London, finishing up work on a film script.